Wednesday, January 22, 2020

The Lilith in Dracula, Carmilla, Christabel, Geraldine and The Hunger

The Lilith in Dracula, Carmilla, Christabel, Geraldine and The Hunger For centuries Lilith, the Queen of the Night, has been blamed when a child or man dies without certain cause or when a woman refuses to be submissive to her husband.   While the Legend of Lilith is not widely known today, it is not difficult to find information about the demoness. However, there are slight variations found from story to story.   Here we will focus on the myth as found in Hebrew mythology, and we will particularly emphasize the similarities seen between Lilith and various vampires seen in literature today.   The Hebrew figure of Lilith was actually borrowed from Babylonian and Syrian myths.   Lilitu was a Babylonian demon and a spirit of the night and of storms.   Lamassu was a Sumerian goddess and the daughter of Anu, the god of Heaven.   It is believed that Lilith is a combination of these two demons from earlier legends.   However, for the purpose of our study, we will focus on the legend of Lilith found in Hebrew scriptures.   According to Hebrew scriptures, Lilith was Eve’s predecessor and therefore, the first wife of Adam. However, there are two variations on the Hebrew creation myth.   The first states that God made man and woman out of the same material (earth or clay), at the same time, thus the two beings were equals in every way.   The alternative version of this myth states that Adam was made of clay while Lilith was made of dirt and filth.   However, regardless of her origin, the remainder of the myth proceeds much the same way.   Legends states when it was time for the two to have sexual intercourse, Adam insisted that Lilith take the more submissive position.   This angered her and in ... ...le from the Garden of Eden, she was doomed to forever prey on newborn children and suck the blood and life fluids from men.   For this reason, she is the earliest known force of evil, thus making her the perfect image of the mother of all vampires.         Works Cited       Begg, Ean.   The Cult of the Black Virgin.   Arkana: Penguin Books, 1996 pp.34-40.    Bunson, Matthew.   The Vampire Encyclopedia.   New York:   Crown Trade Paperbacks, 1993.    Coulter, Charles Russell, and Patricia Turner.   The Encyclopedia of Ancient   Deities.   London:   McFarland and Company, Inc., 2000, pp. 285-86.    Masters, Anthony.   The Natural History of the Vampire.   London:   Rupert   Hart-Davis, 1972, pp. 170-71.    THE GNOSIS ARCHIVE: Gnostic Studies on the Web.   Accessed on May 1,   2003. http://www.webcom.com/~gnosis/lilith.html   

Tuesday, January 14, 2020

Friction Lab Essay

Discussion and Review Whenever a body slides along another body a resisting force is called into play that is known as friction. This is a very important force and serves many useful purposes. A person could not walk without friction, nor could a car propel itself along a highway without the friction between the tires and the road surface. On the other hand, friction is very wasteful. It reduces the efficiency of machines because work must be done to overcome it and this energy is wasted as heat. The purpose of this experiment is to study the laws of friction and to determine the coefficient of friction between two surfaces. THEORY Friction is the resisting force encountered when one surface slides over another. This force acts along the tangent to the surfaces in contact. The force necessary to overcome friction depends on the nature of the materials in contact, on their roughness or smoothness, and on the normal force but not on the area of contact or on the speed of the motion. We find experimentally that the force of friction is directly proportional to the â€Å"normal force.† When an object is sitting on a horizontal surface the normal force is just the weight of the object. However, if the object is on an incline then it is not equal to the weight but is calculated by N= mg cos ÃŽ ¸. The constant of proportionality is called the coefficient of friction,  µ. When the contacting surfaces are actually sliding one over the other the force of friction is given by Equation 1: Ffr =  µk FN where Ffr is the force of friction and is directed parallel to the surfaces and opposite to the direction of motion. FN is the normal force and  µk is the coefficient of kinetic friction. The subscript k stands for kinetic, meaning that  µk is the coefficient that applies when the surfaces are moving  one with respect to the other.  µk is therefore more precisely called the coefficient of kinetic or sliding friction. Note carefully that Ffris always directed opposite to the direction of motion. This means that if you reverse the direction of sliding, the frictional force reverses too. In short, friction is always against you. Friction is called a â€Å"non-conservative† force because energy must be used to overcome it no matter which way you go. This is in contrast to what is called a â€Å"conservative† force such as gravity, which is against you on the way up but with you on the way down. Thus, the energy expended in lifting an object may be regained when the object descends. Yet, the energy used to overcome friction is dissipated, which means it is lost or made unavailable as heat. As you will see in your later study of  physics the distinction between conservative and non-conservative forces is a very important one that is fundamental to our concepts of heat and energy.  A method of checking the proportionality of Ffr, and FNand of determining the proportionality constant  µk is to have one of the surfaces in the form of a plane placed horizontally with a pulley fastened at one end. The other surface is the bottom face of a block that rests on the plane and to which is attached a weighted cord that passes over the pulley. The weights are varied until the block moves at constant speed after having been started with a slight push. Since there is no acceleration, the net force on the block is zero, which means that the frictional force is equal to the tension in the cord. This tension, in turn, is equal to the total weight attached to the cord’s end. The normal force between the two surfaces is equal to the weight of the block and can be increased by placing weights on top of the block. Thus, corresponding values of Ffr,and FN can be found, and plotting them will show whether Ffrand FN are indeed proportional. The slope of this graph gives  µk. When a body lies at rest on a surface and an attempt is made to push it, the pushing force is opposed by a frictional force. As long as the pushing force is not strong enough to start the body moving, the body remains in equilibrium. This means that the frictional force automatically adjusts itself to be equal to the pushing force and thus to just be enough to balance it. However, there is a threshold value of the pushing force beyond which larger values will cause the body to break away and slide. We  conclude that in the static case where a body is at rest the frictional force automatically adjusts itself to keep the body at rest up to a certain maximum. But if static equilibrium demands a frictional force larger than this maximum, static equilibrium conditions will cease to exist because this force is not available and the body will start to move. This situation may be expressed in equation form as: Equation 2: Ffr ≠¤  µsFN or Ffr max =  µsFN Where Ffris the frictional force in the static case, Ffr max is the maximum value this force can assume and  µsis the coefficient of static friction. We find that  µsis slightly larger than  µk. This means that a somewhat larger force is needed to break a body away and start it sliding than is needed to keep it sliding at constant speed once it is in motion. This is why a slight push is necessary to get the block started for the measurement of  µk. One way of investigating the case of static friction is to observe the so-called â€Å"limiting angle of repose.† This is defined as the maximum angle to which an inclined plane may be tipped before a block placed on the plane just starts to slide. The arrangement is illustrated in Figure 1 above. The block has weight W whose component WcosÃŽ ¸ (where ÃŽ ¸ is the plane angle) is perpendicular to the plane and is thus equal to the normal force, FN. The component Wsin ÃŽ ¸is parallel to the plane and constitutes the force urging the block to slide down the plane. It is opposed by the frictional force Ffr, As long as the block remains at rest, Ffr must be equal to W sin ÃŽ ¸. If the plane is tipped up until at some value ÃŽ ¸max the block just starts to slide, we have: Equation 3: But: Hence: Or: Thus, if the plane is gradually tipped up until the block just breaks away and the plane angle is then measured, the coefficient of static friction is equal to the tangent of this angle, which is called the limiting angle of repose. It is interesting to note that W cancelled out in the derivation of Equation 3 so that the weight of the block doesn’t matter. PROCEDURE This experiment requires you to record measurements in Newtons. Remember that in SI units the unit of force is called the Newton (N). One Newton is the force required to impart an acceleration of 1m/s2 to a mass of 1 kg. Thus 1 N = 1 kg.m/s2. You can convert any kg-mass to Newtons by multiplying the kg-weight by 9.8 m/s2, i.e., 100 g = 0.1 kg = 0.1 x 9.8 = .98 N. 1. Determining force of kinetic or sliding friction and static friction a. The wooden blocks provided in the LabPaq are too light to give good readings so you need to put some weight on  them, such as a full soft drink can. Weigh the plain wood block and the object used on top of the block. Record the combined weight in grams and Newtons. b. Place the ramp board you provided horizontally on a table. If necessary tape it down at the ends with masking tape to keep if from sliding. c. Begin the experiment by setting the block and its weight on the board with its largest surface in contact with the surface of the board. Connect the block’s hook to the 500-g spring scale. d. Using the spring scale, slowly pull the block lengthwise along the horizontal board. When the block is moving with constant speed, note the force indicated on the scale and record. This is the approximate kinetic or sliding frictional force. Repeat two more times. e. While carefully watching the spring scale, start the block from rest. When the block just starts to move, note the force indicated on the scale and record. You should notice that this requires more force. This force is  approximately equal to the static frictional force. Repeat two more times. Determining coefficient of static friction using an inclined surface a. Place the plain block with its largest surface in contact on the board while the board is lying flat. b. Slowly raise one end of the board until the block just breaks away and starts to slide down. Be very careful to move the plane slowly and smoothly so as to get a precise value of the angle with the horizontal at which the block just breaks away. This is the limiting angle of repose ÃŽ ¸ max. Measure it with a protractor (see photo that follows for an alternate way of measuring the angle) and record the result. You may also want to measure the base and the height of the triangle formed by the board, the support, and the floor or table. The height divided by the length of the base equals the coefficient of static friction. Remember: c. Perform two more trials. These trials should be independent. This means that in each case the plane should be returned to the horizontal, the block placed on it, and the plane carefully moved up until the limiting angle of repose is reached. DATA TABLE 6 Height Base Length ÃŽ ¸ max  µs Trial 1 Trial 2 Trial 3 Average Calculations 1. Using the mass of the block and the average force of kinetic friction from Data Table 1, calculate the coefficient of kinetic friction from Equation 1: 2. Using the mass of the block and the average force of kinetic friction from Data Table 2, calculate the coefficient of kinetic friction for the wood block sliding on its side. Record your result and see how it compares with the value of  µkobtained from Data Table 1. 3. From the data in Data Table 3, 4 & 5 compute the coefficient of static friction,  µsfor, the glass surface on wood, the sandpapered surface on wood, and wood on carpet, etc from each of your three trials. Calculate an average value of  µs.Record your results in your own data sheets. 4.  From the data obtained in Data Table 6 calculate  µsfor wood on wood from each of your three trials. 5.  Calculate an average value of  µs. Record your result on the data sheet. Questions A. How does the coefficient of static friction compare with the coefficient of kinetic friction for the same surfaces and areas? B. Why is it important to reduce friction during the operation of machinery? C. How does grease or oil affect the coefficient of friction?

Monday, January 6, 2020

Artists and Their Muses in Wildes The Picture of Dorian...

Both Oscar Wilde and Virginia Woolf’s novels depict the image of an artist and their muse. Within The Picture of Dorian Gray, Basil Hallward is inspired by Dorian Gray to create his greatest work of art. While in To the Lighthouse, Lily Briscoe finds her inspiration through Mrs. Ramsay and through her art she is able to blossom into her own woman. Briscoe grows through her art while Hallward is killed because of his masterpiece. The fates of the two artists differ so vastly because of how each artist envisions the idea of legacy and how they connect to their own muse. To the Lighthouse and The Picture of Dorian Gray both present the dichotomy of legacy into male and female legacy. The women within Virginia Woolf’s novel come to see†¦show more content†¦Mr. Ramsay’s ideation is also present within Oscar Wilde’s novel The Picture of Dorian Gray. The idea of legacy is clearly shown when Dorian Gray has a moment of pure envy and states, â€Å"I am j ealous of everything whose beauty does not die† (Wilde 29). While Mr. Ramsay desired the stagnation of his philosophical ideas and literature Dorian desires the stagnation his own of beauty. Throughout the novel both Dorian and Henry Wotton describe beauty as an ever fleeting thing that is the most vital to life. Dorian is willing to sell his soul to the devil in order to maintain his legacy of beauty. Dorian attempts to live hiding his horrid painting deep within his home, but soon the moral ugliness of the painting catches up with him and he meets his demise. Both Mr. Ramsay and Dorian Gray fail at their goals and this depicts how the male version of legacy can only end in failure. Nothing lasts forever and as Mr. Ramsay states, even the pinnacle of literature, Shakespeare will fade into nonexistence. Thus the male form of legacy pushes forward the idea of immortality while also depicting immortality as an unfeasibility. Through this mindset men are expected to desire this i dea of legacy, but at the same time they are expected to fail. This ideation reinforces the Ruskinian ideal and gives women the responsibility to console the men in their lives. Within The Portrait of Dorian Gray Basil does not have a woman within his life instead he

Sunday, December 29, 2019

Sociology Breaking Social Norms - 1271 Words

Sociology: Breaking Social Norms â€Å"Etiquette is all human social behavior. If you’re a hermit on a mountain, you don’t have to worry about etiquette; if somebody comes up the mountain, then you’ve got a problem†¦Ã¢â‚¬  This quote from American journalist, Judith Martin, illustrates the concept that the presence of others creates or inspires expectations. Social norms, or specific cultural expectations for how to behave in a given situation, are practiced throughout various societies and cultures across the planet. People relay on social norms to provide order and predictability in social situations. Social roles are the part people play as members of a social group. With each social role one plays, the behavior changes to fit the expectations both you and others have of that role. It is most common for people to conform to the guidelines provided by the roles we perform. When one does not conform to the social norms, it is considered abnormal behavior. 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Saturday, December 21, 2019

Joseph Sheridan Le Fanu’s Carmilla Bram Stoker’s...

Joseph Sheridan Le Fanu’s Carmilla: Bram Stoker’s Inspiration for Dracula â€Å"3 May. Bistritz. Left Munich at 8:35 p.m.† Abraham Stoker in this unassuming way begins his Gothic masterpiece, Dracula (The Annotated Dracula 1). Dracula has been called ‘imaginative’ and ‘original.’ , and Harry Ludlam calls it â€Å"the product of his own vivid imagination and imaginative research† (Senf 41). However, the originality of Stokers Dracula is in doubt. By a similarity in the setting, characters and plot, in Bram Stoker’s Gothic work Dracula and the posthumously published short story â€Å"Dracula’s Guest,† Stoker is shown to have used Joseph Sheridan Le Fanu’s classic, Gothic, short story, â€Å"Carmilla†, as the basis and inspiration for Bram Stoker’s†¦show more content†¦In recent years, â€Å"Dracula’s Guest† has received a large amount of critical attention due to Stoker’s obvious debt to fellow Irishman Joseph Sheridan Le Fanu’s â€Å"Carmi lla† (Senf, 38). The story opens in Munich where a young Englishman is taking a holiday from his trek to the home of Dracula. The young Englishman of the story decides to take a walk to a deserted village despite the objections of others who know more than he about the area and its dangers. He is caught in terrible blizzard and is forced to find shelter. Shelter comes in the form of one Countess Dolingen of Gratz’s impaled tomb. Inside the tomb, he sees a young, pretty, pink-faced woman; the tomb is struck by lightening which destroys both the tomb and presumibly the woman. The Englishman is found, with the aid of a wolf’s yelps, by solders sent to search for him by Dracula. In 1871, Irish writer Joseph Sheridan Le Fanu published In A Glass Darkly, a collection of short stories including â€Å"Carmilla†, which can be directly linked to Abraham Stoker’s vampire stories (Roth 97). In the story, Laura, a young girl of six, along with her English father, retired from the Austrian Service, move to a lonely schloss in Styria. Laura is visited in her nursery by a beautiful young woman and is terribly frightened by her.. Sixteen years later, the lonely family gains aShow MoreRelatedAbraham Stoker and Theater1231 Words   |  5 PagesAbraham (Bram) Stoker began his life bedridden, weak, and helpless. Stoker, third of seven children, was born in Clontarf, a suburb of Dublin, on November 8, 1847 (Whitelaw 9). His parents were Abraham Stoker, from Dublin, and Charlotte Mathilda Blake Thornley, who was raised in County Sligo (â€Å"Bram Stoker†). He spent most of his early childhood laying in bed, watching his brothers and sisters play outside through a dusty old window. â€Å"As a child, he wondered if he would get sicker--if he would end

Thursday, December 12, 2019

Big Data in Construction Organization Free-Answers -Myassignment

Question: Discuss about the Big Data in Construction Industry. Answer: Introduction The current assignment provides a critique review of the journal article that has been mentioned below. Research Aim The aim of the research paper is to present a detailed survey and review of the Literature that investigates application of big data techniques in construction industry. Evaluation Evaluation has been done by reviewing related works which has been published in data bases of Institute of electrical and electronics engineers (IEEE), American Association of Civil Engineers (AACE), Association of computing machinery (ACM) as well as Elsevier science direct digital library. Summary The current paper provides the gaps of literature present in the wide ranging statistics data mining, machine learning, warehousing as well as Big Data Analytics in context to the construction industry. The current state of adoption of big data in construction industry has been discussed as well as future potential of those technologies in domain specific sub areas of the industry has been provided. Open issues and direction for future works regarding big data adoption in construction industry has also been proposed. Research subject The research subject of this paper is to fill the gaps of literature which is present between wide-ranging study fields of data mining, statistics, warehousing, machine learning, big data and its application in the construction industry. Although data driven solutions have been proposed for the fields of the construction industry there is a lack of comprehensive literature survey the target stores application of big data in construction industry. Proposed technique and methodology Review of the extent literature on Big Data Engineering and Big Data Analytics in construction industry have been evaluated. Opportunities of big data in industrial sub domains are presented. Finally discussions about issues regarding the research and future work as well as pitfalls of big data in construction industry have been presented. It has been stated that Cloud can be used in processing BIM data in construction industry. The author has also been influenced by White (2012) in which it has been described that Hadoop distributed file system a design for managing large data sets as per requirement. The author has cited Das et al. (2014), in proposing social BIM for capturing social interactions of users along with the models of the buildings. Distributed BIM from work all the way in cloud is developed for storing the data through IFC. Further employment of data mining techniques for electrification of key factors that causes delay in construction projects has been evaluated citin g the papers of different authors in analysis of mashed up construction data sets. Uses of decision tree in construction research regarding structure related deficiencies introduced during the construction phases are discussed by reviewing BSA cycle papers. According to Chen et al. (2003) uses of FDA for development of integrated planning system focusing assignment of pre optimally on complex constants, its importance to workforce as well as resources are also discussed. Experimental analysis and results Experimental analysis and the results that has been obtained using construction waste simulation tools in which a minimization of construction waste could be presented by a rich application of BDA. For that the big data driven BIM system for construction monitoring progress could be done for preventing any kind of delay in project delivery. The design with data could be done using big data for collecting from the manufacturers (Bilal, 2016). It has been found that there are no tools for facilitating the designers for leveraging data during design activities. Assumptions The only assumption of this paper is attributed to independent consideration of name condition on Independence. The author also used assumption for evaluating cases taking into account prior information as well as likelihood of information incoming that constitutes posteriori probability model (Chen, 2003). For the base factor evaluation metric, the value is computed from Theorem of Bayes as well as Gaussian distribution identification (Fan, 2013). Response Few of the pitfalls of big data in construction industries are recognised which are privacy protection as well as data security, quality of data for construction industry data sets, connectivity of Internet for big data applications, exploitation of big data for its full potentials. The cost implications for Big Data in construction industry are also considered in the paper (Al Qady, 2014). The author have reviewed the literature thoroughly and highlighted gaps such as data security and privacy protection that occurs due to third party handling of the company data by cloud service providers. Moreover the data is highly susceptible to piracy and outer threats (White, 2012). Implications of cost for implementing Big data for modeling by architects and designers using BIM and other modeling information systems are also identified. Exploitation of full potentials of Big Data has been evaluated by the author as well (Jiao, 2013).. Conclusion It can be concluded that the paper has covered issues of construction industry in generating massive amounts of data throughout the building life cycle and that option of big data Technology for improvement and enhancement of those particular sectors. The author have reviewed latest research as well as relevant articles published over the few decades an explanation of big data Technology streams as well as its concepts for utilizing the technology across various domains of the construction industry. Important aspect of this paper is the identification of big data applicability in emerging Trends of construction Industries such as IOT, Cloud Computing, BIM, smart buildings and augmented reality. References Bilal, M., Oyedele, L. O., Qadir, J., Munir, K., Ajayi, S. O., Akinade, O. O., ... Pasha, M. (2016). Big Data in the construction industry: A review of present status, opportunities, and future trends.Advanced Engineering Informatics,30(3), 500-521. Chen, Q., Chen, Y., Worden, K. (2003). Structural fault diagnosis and isolation using neural networks based on response-only data. Comput. Struct, 81(22), 2165-2172. Das, M., Cheng, J.C. Kumar, S.S. (2014). BIMCloud: a distributed cloud-based social BIM framework for project collaboration, The 15th International Conference on Computing in Civil and Building Engineering (ICCCBE 2014), Florida, United States. Fan, H. Li. (2013). Retrieving similar cases for alternative dispute resolution in construction accidents using text mining techniques, Autom Construct, 34(1), 8591. Al Qady, A. Kandil (2014). Automatic clustering of construction project documents based on textual similarity, Autom. Construct. 42(2), 3649. White, T. (2012). Hadoop: The Definitive Guide. OReilly Media, Inc. Jiao, Y. Wang, S. Zhang, Y. Li, B. Yang L. Yuan. (2013). A cloud approach to unified lifecycle data management in architecture, engineering, construction and facilities management: integrating BIMs and SNS, Adv. Eng. Inform, 27(2), 173188. Y.-J. Chen, C.-W. Feng, Y.-R. Wang, H.-M. Wu, et al. (2011). Using BIM model and genetic algorithms to optimize the crew assignment for construction project, Int. J. Technol.,3(1), 179-187.

Thursday, December 5, 2019

After you my dear Alphonse by Shirley Jackson Essay Example For Students

After you my dear Alphonse by Shirley Jackson Essay In this short story Shirley Jackson portrays how harmful Racism can be, even though theres no violence or murder involved. But it also shows how a white boy and a black boy can have a relationship to each other with no prejudices; they consider each other equal persons. The game the boys are playing where they are saying after you my dear Alphonse to each other, is one of the ways Jackson tells us that they are equal. Mrs Wilson on the other hand, does not consider Boyd as an equal person to herself and her son. Mrs Wilson is trying to hide her Prejudices by being polite and generous to Boyd. She cant stop asking questions to (About) Boyds background and his family. She assumes that Boyds family are poor in spite of the fact that she doesnt have any acquaintance (knowledge)of Boyds background and his familys social status. Even when her own son Johnny tells her that Boyds father is the foreman of the factory; she ignores it and continues her questioning of Boyd. She stigmatizes Boyds family as poor because they are black; witch (which) was normal at this time. And she thinks she is right about her vision on Boyd, because a lot of black people were poor in the 40s where (when) the story takes place. When the boys are served stewed tomatoes, Johnny replies to his mother that Boyd does not eat tomatoes, But Mrs Wilson replies back with extreme condescension Boyd will eat anything to point out that Boyds family is poor. She thinks that Boyd is grateful for anything he can get to eat, but when Boyd doesnt want to eat the tomatoes, Mrs Wilson realises that Boyds family might be just as successful as her own family is. Her last try to prof that she is better than Boyd and his family. She offers Boyd second-hand clothing to (for) his family. Boyd explains politely to her that they have plenty of clothes themselves and that his family can buy him anything he needs. Mrs Wilson lifted the plate of gingerbread off the table as Boyd was about to take another piece she gets angry over the fact Boyd is not grateful for the clothes she is offering him. She is thinking that she is doing something good. But she suddenly realises that she cant help Boyd, and then she want (wants) nothing to do with him, and she is not as polite and generous as before Boyd told her about his background. Johnny doesnt share his mothers views. He is completely unbiased. He acts naturally about Boyds presence, like he would probably do to his other friends; he has no prejudices about black people. Johnny is a good example of childrens innocence. He doesnt understand his mothers comments and the racism that is hidden behind them. He is wondering about his mothers strange statements. But he cant connect it to Boyd being black. It is a perfect example of how children have no prejudices. The title of the text is used to support this. Its a symbol of Boyd and Johnnys great friendship. It shows us how unaffected the boys are by Mrs Wilsons racist behaviour. The phrase After you my dear Alphonse is normally used in a situation where two people are so polite to each other that they cant agree who shall do it. It originally comes from a french (French) comic strip where Alphonse and Gaston cant (cant) agree who should go trough a door first, so they are stuck in the moment. The boys say the phrase when they enter the home, but they repeat it when they are leaving the house again. This tells us that the boys are not affected by Mrs Wilsons Biased opinions. The short story is written in 1949. I think Jacksons message with writing this story is to show that America does not live up to some of the fundamental principles that build the nation. .udfb4b10f3fe7d98aa4e107578031f10c , .udfb4b10f3fe7d98aa4e107578031f10c .postImageUrl , .udfb4b10f3fe7d98aa4e107578031f10c .centered-text-area { min-height: 80px; position: relative; } .udfb4b10f3fe7d98aa4e107578031f10c , .udfb4b10f3fe7d98aa4e107578031f10c:hover , .udfb4b10f3fe7d98aa4e107578031f10c:visited , .udfb4b10f3fe7d98aa4e107578031f10c:active { border:0!important; } .udfb4b10f3fe7d98aa4e107578031f10c .clearfix:after { content: ""; display: table; clear: both; } .udfb4b10f3fe7d98aa4e107578031f10c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .udfb4b10f3fe7d98aa4e107578031f10c:active , .udfb4b10f3fe7d98aa4e107578031f10c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .udfb4b10f3fe7d98aa4e107578031f10c .centered-text-area { width: 100%; position: relative ; } .udfb4b10f3fe7d98aa4e107578031f10c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .udfb4b10f3fe7d98aa4e107578031f10c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .udfb4b10f3fe7d98aa4e107578031f10c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .udfb4b10f3fe7d98aa4e107578031f10c:hover .ctaButton { background-color: #34495E!important; } .udfb4b10f3fe7d98aa4e107578031f10c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .udfb4b10f3fe7d98aa4e107578031f10c .udfb4b10f3fe7d98aa4e107578031f10c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .udfb4b10f3fe7d98aa4e107578031f10c:after { content: ""; display: block; clear: both; } READ: When The Emperor Was Divine EssayStatements like all men are considered equal and every man has the right to pursue Happiness is questioned by Jackson in this Short story. Mrs Wilson represents the average American citizen at this time despite the Declaration of Independence. Mrs Wilson attitude to Boyd also shows that it was very unlikely for a black family to be wealthy at this time. Mrs Wilsons prejudices towards black people are the main theme of this short story. Mrs Wilson will not believe that Boyds family Is wealthy, because she stigmatizes Black people as poor people.